Monday, November 16, 2009












Call for Entries: The Big Book of Packaging

Published by HarperCollins this book will feature the best product packaging designs from around the world. The submission is FREE, please visit www.crescenthillbooks.com for more details.

Deadline January 15, 2010

Sunday, November 15, 2009











Call for Entry: Index Books


Index Books are currently working on the new book title, "Green Graphics" by Vicky Eckert, Efrén Zúñiga and Ana Freixas, on environment-related graphic design.

In this new book, Index Books would like to compile all sorts of graphic communication designed to promote a more sustainable lifestyle and alert about the risks of environmental pollution, the loss of biodiversity, the dangers of climate change, etc.

Index Books invites you to submit your projects for this book regarding subjects such as residue management and reduction, recycling, energy saving, water saving, renewable energies, responsible consumerism, responsible packaging, promotion and packaging of biological products, sustainable transport, eco-tourism, protection of species and ecosystems, etc.

Participation or having your work selected for Green Graphics is totally cost free on your part. Also, if your work is selected, we shall give you a free copy of the book.

Visit www.indexbook.com/new to find the participation requirements for this book - and other new titles - together with the authorization form which must be filled in.

Deadline to enter your submissions is 15 February 2010.

Saturday, November 14, 2009

Friday, August 7, 2009








ADCNJ LinkedIn Group Responds

The Art Directors Club of New Jersey sent out the question, "How do you feel about spec work?" to all the members in our LinkedIn group. Here are some of the responses:

"Spec is our industry's four-letter dirty word. I think it's generally disrespectful and unprofessional; and does nothing more than de-value our profession. What other professional field do you know samples their work for free, not counting charitable work-in-kind?"
John V. Cinquino, President, cinquino+co.


"Killing the creativity. But it is a type of jobs...if I can't avoid, I should enjoy"
Jemma Duyeon Kim, Illustrator/Textile Designer at Cosmoda Corporation


"Interesting you posted this question. I just posted a similar question. Jeremiah Owyang's article, "Designers: Why Spec Work Is Not Going Away – How You Should Respond" stirred up a lively and heated discussion at http://ow.ly/iwkF

What's not reflected in the conversation is the value Experienced Designers bring to the table. It's not just about a design that's aesthetically pleasing, but how strategic design can enhance a brand campaign and product positioning, as well as heighten a brand's perception. Experienced designers are also strategic creative business partners for the brand and their products.

Spec work may be a venue/channel for a new designer just starting out in the field. I believe there are other options out there, but it takes time to build. I think they need to consider the time they spent vying after spec work vs. creating and building up their personal brand from scratch, i.e., portfolio sites, WOM marketing, etc.
"
Kathy Meyer, Interactive Design Manager at Roche


"I tell those who request spec work, "No thanks, I don't need the practice"
Kathy Meyer, Interactive Design Manager at Roche


"Fine with me as long as I get paid upfront."
Terrance Cummings, Art Director, Illustrator, Designer at Terrance Cummings


What is your opinion? Take part of our monthly poll (left side) and email us your response to adcnjblog@hotmail. Also, don't forget to join the ADCNJ group in LinkedIn, just click on the banner on the left.














Breakthrough the clutter, and get your message heard!

A Free Workshop, “Breakthrough Marketing Design,” focusing on new One-to-One
Marketing methods and technology


Do more with your design! Learn about some of the latest Personalized Marketing methods, like Variable Imaging and Personalized URLs - what makes them so valuable and how simple they can be to design!

Hear from industry experts and see live in-depth demonstrations! Speakers will include specialists from Creo, Mindfire, and Xerox. This workshop you won’t want to miss!

Complete Document Solutions
19 Gloria Lane, Fairfield, NJ 07004 (Off of Route 46)
Tuesday, September 22, 2009
6pm-8pm

For details and registration, visit www.YourBreakthroughDesign.com, or contact CDS at 973-435-3039 or info@cdsxrx.com.

Sponsored by Complete Document Solutions, New Jersey Ad Club,
and the Art Directors Club of New Jersey






Nielsen Business Media Internship Program for Creative Careers


As the leading source of industry analysis and sales and marketing solutions, Nielsen Business Media products and services enable reader to drive their strategies and market more effectively and efficiently. Nielsen Business Media provides businesses with the platforms that help gain a deeper understanding of their key markets; serve their customers more meaningfully; take advantage of market intelligence and data. In all, Nielsen Business Media features more than 30 publications, over 70 trade shows and conferences and more than 100 digital products serving the entertainment, media and marketing, retail, travel and design industries.

What you’ll get from you internship with Nielsen Business Media:
• Real, project-related, hands-on design experience
• Work directly with senior magazine/brand management
• Earn school credit
• Have fun and meet people in your desired profession
• Learn valuable on-the-job communication, organization and problem-solving skills
• Have work to show in your portfolio!

Internships Requirements
Qualified applicants must be currently attending an undergraduate or graduate institution that agrees to grant academic credit to students in return for program participation.We seek candidates with proven records of leadership and achievement who demonstrate the capacity for continuous development. Candidates shoul be comfortable with quantitative analysis and take a creative yet pragmatic approach to problem solving. Also important is the ability to motivate others, to communicate complex ideas clearly, and to work collaboratively.Additionally, candidates must have strong computer skills including Microsoft Office.

Above all, Nielsen Business Media is looking for the best and brightest emerging talent in a variety of disciplines. Our internship program offers training and insight into a wide range of career fields, providing program participant with hands-on experience and an environment to learn vital professional skills in their intended areas of study and profession.

In addition, intern candidates should:

• Be dedicated, motivated, organized and responsible
• Have excellent communication skills
• Be open to direction, coaching and development
• Be detailed-oriented and passionate about the arts, medi and design professions
• Design candidates should have great typography skills
• Photo and video candidates should have great imagery/motion skills
• Know the software programs that best pertain to their field of study
(Photoshop, InDesign, Illustrator, Flash, Dreamweaver, Final Cut, 3-D programs, etc. )

• Have a portfolio or samples of your work

Internship Opportunities
Internship opportunities for creative students typically fall under the following disciplines:
• Print designers in magazine or sales/marketing
• Web designers
• Photo Editor Interns
• Video production interns

Print Designers
General graphic design and production for B2B publications. Learn the general process of magazine production by assisting magazine and brand art directors. Projects include page layouts, logo design, quality control, brochure design and layout, color correcting, filing and organization of digital art, image conversion and formatting, creating direct marketing materials, and converting files for HTML (scripting knowledge not required)

Web Designers
Work with senior staff to create dynamic digital content and cutting-edge interactive graphics for our brand’s leading websites. Gain valuable experience in layout, animation, front-end coding, image processing, and interaction design. Learn everything from how the grid applies in web design to how to make your type stand out from the crowd. Hone your skills in Photoshop, Illustrator, Flash and Dreamweaver.

Photo Interns
Learn what goes into the production of a magazine by attending art/editorial meetings. Receive coaching and instruction on editing photos and photo shoot production. Interns usually attend local photo shoots that occur during their internship. Also, interns are given the opportunity to shoot products (books, magazines, merchandise) inhouse. Do photo research on news, entertainment and stock web sites to acquire images. Contact publicists and agencies for press photos. Update photography, styling, beauty and studio. Maintain print photo archive.

Video Production
Interns will assist in-house video production team with all aspects of the work, from assisting on video shoots to editing, working on graphic packages, converting an archiving projects to sitting in on planning and design meetings.

How to Apply
Apply online at www.nielsen.com
1. Click on “Careers”
2. Click on “Professional and all Other Positions” on the right, in the “Apply Now” box.
3. Input Nielsen Business Media Internship in the “Key Words” field
4. Click on the internship that you want to apply for
(Editorial, Marketing, Online, Creative/Photo/Video, Sales or Tradeshow Operations)
5. Click “Apply Online” and complete the application process

Tuesday, July 28, 2009











Member News: Smith Design Gives Chocolate A Design Boost

By Vivian Fransen

The creative team at Smith Design (www.smithdesign.com) recently worked closely with the leadership of Antoine Amrani Chocolates to develop every aspect of this brand — from the design and shapes of each chocolate’s custom mold to the brand’s identity, packaging and web site (www.aachocolates.com). After taking a look at these images on the home page, who can possibly resist the desire to taste these exquisite chocolates?

ADCNJ Member Martha Seidner reports that “not only is the packaging beautiful, it is environmentally friendly.” She notes that Smith Design researches and recommends environmentally sustainable solutions to their clients because “it’s important to us, our client and consumers who purchase natural, organic, and premium brands.”

Vivian Fransen is the Art Directors Club of New Jersey Public Relations Consultant. Vivian can be reached by email at vfransen@rcn.com.






Submit Your Idea that Matters Today
Deadline extended to July 31, 2009

A decade ago, Sappi launched Ideas that Matter, the industry’s only grant program aimed at helping designers contribute their talents to the charitable activities that they care about most. Sappi believes that the creative ideas of designers can have an impact beyond the aesthetic and that those ideas can be a powerful force for social good. To date, Ideas that Matter has awarded $9 million worldwide in grants supporting causes that range from youth centers and health care awareness to wildlife protection. Working together with their customers, Sappi aims to make a difference.

Visit www.sappi.com to enter.

Friday, July 24, 2009





Call for Entry

Rockport Publishers specializing in books for design professionals are looking for entries for the book, "The Best of Brochure Design". If you have a brochure that you would like to be considered for the book please visit www.rockpub.com for more details.

Tuesday, July 21, 2009



















Color Is A Designer's Best Friend

Pantone Gives a Sneak Preview of the Spring/Summer 2010 Color Forecast

By Laurie Pressman and Giovanni Marra


Creating excitement is key for designers. Now is the time to think about new avenues to take, new ways of doing things, and, most importantly, innovative approaches to design. As we all know, using color is a vital design element.


Consumers at every level are evaluating their purchasing choices more carefully. And what we do buy has to offer a real intrinsic sense of value. We all want to feel good about how we are spending our money. So, whether we are reaching for something that simply needs replacing or buying something new, a product’s perceived value to us is dictating many of these purchasing decisions. Consumers are reaching for things that will make them feel good — that is, things that will make them smile, feel stronger and more powerful, or feel calm and comforted.


Spring/Summer 2010 is forecasted to be a season of gentle contrasts. Surface and texture are important to create subtle differences in tone, including the use of color abstracted from nature and how it contrasts with urban aesthetics. Light and luminous hi-tech surfaces sit alongside naturally organic surfaces. Hazy, blurred, and chalky color contrasts with reflective, sharply minimal overexposed tones. Grainy matt surfaces are also important to create the impression of absorbed color.


Looking ahead, our forecast at Pantone includes the following highlights:


• Black will play a smaller role in Summer 2010. However, when it is used, whether appearing as a liquid solid or in patterns with special textures, a very strong black will create an area of intense darkness in its purest form. This potent shade is complemented by a more grayed out, shadowy, and muted shade of black.


• Blue is the color of constancy. With the world in turmoil, we can count on blue to bring us a more calming effect. Ranging from the whimsical blues to those that are more tranquil, blue in all its shades and variations takes on increased importance for Summer 2010.


• Green, influenced by the environmental green movement, can be used for multiple markets and applications. Many dimensions of green — ranging from grass and lime greens that are more vibrant to the more yellowed and subdued shades of green — are desirable.


• Purple, the most enigmatic of all colors that combines the excitement of red and

the tranquility of blue, is used in tonal combinations to make a dramatic and impactful statement.


• Brown represents all of the nurturing, lifesustaining, down-to-earth qualities we find in our world. Just as in the sturdy oak tree, brown represents roots and a steady, stable source of security, comfort, and normalcy.


• Moving from the more tamed and toned down shade used in Winter 2009, orange will re-emerge in Summer 2010 as a color that is once again looking to be radiant and vibrant.


• White takes on a more immaterial feeling with texture playing a key role in the application of white.


One of the key color palettes for Spring/Summer 2010 is called Alchemy. Alchemy gives us the spirit of life and light, the energy of the sun, and the tantalizing flames of a dancing fire. This color frenzy is balanced by the essential neutral beige, which sits in a pivotal spot between the stimulating and enlightening bursts of orange and yellow and the creativity and spirituality of the pinks and purples.


The role of designers is critical — always keeping in mind the power and magic of color!


Laurie Pressman is Vice President Fashion, Home and Interiors at Pantone. Gio Marra (www.pantone.comis an ADCNJ Board member and Director of Direct Sales and Marketing for Pantone.